Camera Log (S-Log2, S-Log3, C-Log, V-Log etc) delivers maximum sensor detail in your recordings, but on monitors it looks washed out & makes judging exposure difficult. The compromise for filmmakers is to use LUT's to get the approximate 'look' but sacrifice detail or use calibration cards, waveform & some “rule of thumb” figures to set exposure correctly. AtomHDR is the solution, accurately displaying HDR Log footage with the brightness to see Log as the eye sees it.

1. Assassin Vs Ninja
2. Ninja Assassin Rain
3. Ninja Flame Vs Ninja Assassin Warrior
4. Ninja Flame Vs Ninja Assassin Ninja

Mini Ninjas is a linear third-person action-adventure game.It features six playable Mini Ninja characters, each with their own unique abilities, weapons and skills. Players can collect special weapons, including caltrops, shuriken, different bombs and fishing rods, and a multi-functional ninja hat, as well as a variety of potions and foo. Beli Atomos Ninja Online berkualitas dengan harga murah terbaru 2020 di Tokopedia! Pembayaran mudah, pengiriman cepat & bisa cicil 0%.

Scenes ignite with 1500NITS of light

Not all scenes call for HDR Log recording. In situations that don't call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional standard dynamic range (SDR/Rec709) video at high brightness for outdoor monitoring..

Simply pick the right mode, HDR or High Bright SDR, and get busy setting up your shot on the premium 7' display boasting 10-bit processing, 1920x1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.

Get more from your DSLR

The perfect partner for DSLR and Mirrorless cameras with Log output over HDMI. From gimbal operators to Corporate to Indy filmmakers, your recordings are instantly upgraded to the defacto standard for Hollywood, Indie & Broadcasters (ProRes and DNxHR), ensuring you're not technically rejected in Post and letting you see the detail of your camera's Log on set with natural colors on the calibrated 7' AtomHDR High Bright monitor.

Affordable, reliable media

The combination of high capacity media with recording direct from the sensor means that the conventional 30min barrier imposed by many cameras can be bypassed..

Record professional 4K & HD

Recording 4K and high frame rate HD within the camera might seem enough but unless you record with the right codec you're restricting flexibility in post and even run the risk of having your footage technically rejected. Along with the high pixel density of 4K, the Ninja Flame records higher resolution 10-bit color information, more precise yet efficient 4:2:2 color encoding and to visually lossless, edit-ready codecs like Apple ProRes or AVID DNxHR.

Now you're recording professionally, capturing full individual frames just like film and opening up more creativity in post and grading. Additionally, bypassing internal recording also bypasses the 30min recording barrier found on many Mirrorless/DSLR cameras

Simple OS, Sophisticated Shots

Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring.

Click on the icons to preview AtomOS

• Focus Peaking

• 2:1 Zoom

• Zebra

• False Color

• Safe Area

• Luma Parade

• RGB Parade

• Vectorscope

Continuous power is back... with super fast charging

Our patented continuous power system pioneered on our HD products are back on the 4K range. The hot swappable dual battery system that automatically swaps to the second battery when power is low, coupled with the blazingly fast battery charger and dual 4-cell batteries (optional accessories) means that continuous power in the field is all but assured.

Advanced DSLR audio monitoring

Record audio as well as video externally on the Ninja Flame. Monitor up to 8ch of HDMI audio or 2ch analog line in on the dedicated audio meters, all locked frame accurate with adjustment for frame delay, gain adjustment and Mic level adjustment when using external microphones (3.5mm unbalanced input).

Advanced recording capability

Outside of 10-bit 4:2:2 ProRes/DNx, the Ninja Flame adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, Nikon cameras. Convert interlace video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown and gain advanced functionality like Pre-roll (continuous cache recording to never miss the action) and Time lapse to maximise your creativity.

Battle-Ready!

For the field

Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, XLR breakout cable, Lanc cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.

'I am confident that AtomHDR will be the new monitoring standard among productions of all scales'

Tesla

The Tesla Shoot:

Cloakroom Media & Flying Dragon Aerial teamed up on a TVC production for Tesla Motors Australia. We were given two production days to complete the filming and put together some cutting edge kit to film from the land and the skies (a pair of Freefly Systems ALTA’s coupled with MoVI M15’s, a Freefly Systems TERO and RED Epic Dragon on both ALTA’s to decrease setup times between each sequence). We were delighted to be invited to test out two pre release products labelled the Atomos Ninja Flame & Shogun Flame.

'When we heard about the new AtomHDR feature we had no idea how much detail you would be able to see until we shot with it ourselves'

Abandon Visual

Ninja Flame on the Movi M5:

The Ninja Flame basically lives on our Movi M5 as it is a little lighter than the Shogun Flame but still retains the features we have come so accustomed to. We are able to see exactly what we are shooting and with the ability to flip the image able to move the monitor any which way and still see the shot we want. Focus assist is a feature that is never disabled. It is an absolute life saver and the best part is the ability to change the color of the focus peaking. Usually we have the focus peaking on red but when we were shooting the red car for the launch video red blended in with the car so we switched it to Blue so it stood out a bit more.

The focus peaking feels extremely refined and always does an outstanding job showing clearly what’s in focus and what’s not. This is essential when shooting gimbal as we can’t have a lens that is set to infinite focus and trust that everything is in focus. Paired with the focus assist we also are able to use the 2:1 feature to make sure the focus is in fact set perfectly. Wave form is another feature that we utilize as it is very accurate, highly detailed and ensures that we are getting perfect exposure. This is especially important on the gimbal as the shot is very wide and we need to retain full dynamic range. When we heard about the new AtomHDR feature we had no idea how much detail you would be able to see until we shot with it ourselves. It was truly amazing to view how much detail we could pull back in the shadows and highlights before we had even played with the image in post.

Perfect For

Corporate Video

Ninja Flame is the perfect all-in-one workhorse for corporate filmmakers, combining a high resolution color calibrated & daylight viewable monitor (1500nits) with a high quality recorder that eliminates limits on record time and bypasses the use of low capacity media. The external audio input with level control also allows you add an additional DSLR powered mic that can be monitored on board the Ninja Flame.

Wedding DSLR

Keep your DSLR kit compact without compromising a professional result. The 1500nit panel is great for hood-free outdoor monitoring, sunsets never looked better for clients on the AtomHDR 10-bit monitor, shoot longer with the continuous power system & the entire workflow is streamlined by recording direct to ProRes/DNxHR for better results in grading & less time spent transcoding.

Gimbals & Drones

Ditch the hood on your gimbal with the 7” high brightness 1500nit panel, use the onboard focus peaking & waveform tools and simply concentrate on framing the scene perfectly. Hit record with out disturbing camera balance and capture Apple ProRes or Avid DNxHR 4K/HD to bypass the heavy codec compression of small cameras that suit Gimbals for balance but compromise recording quality.

Assassin Vs Ninja

All specifications correct when published, subject to E&OE.

* Available in future firmware updates

Directed by James McTeigue (of V for Vendetta fame) and produced by the Wachowskis, Ninja Assassin is the story of Raizo, an orphan who's recruited into a shadowy clan of ninjas who carry out political assassinations. When he's forced to turn his back on the ninja clan, he finds himself in the crosshairs of the world's deadliest killers. Or, well, he would be...if shurikens and katanas and feet had crosshairs.

When it hit theaters in 2009, Ninja Assassin promised all the fun of a B-movie with all the style of a Hollywood blockbuster. Did it deliver? In spades. While mainstream audiences mostly ignored this blood-filled homage to old ninja cinema, it's built up a cult following in the years since its release. Here are some cool facts you probably never knew about Ninja Assassin.

The movie originated as a joke

Remember Speed Racer? The Wachowskis were the hottest thing in Hollywood after the Matrix films, and their next project, V for Vendetta (which they wrote and produced), only showed the world that they could do even more. Then came Speed Racer. It wasn't that the movie was terrible, it just...wasn't good. They took an awful script and gave it a high-shine VFX polish to no avail, but one happy coincidence that came out of Speed Racer was interest in collaborating with Rain, an unknown actor in the West who happens to be one of Korea's biggest pop stars.

While filming Speed Racer, Chad Stahelski, a stunt coordinator who had worked on the Matrix trilogy, was brought in to help choreograph a couple fight scenes, some of which involved Rain. The whole stunt team was impressed with this seemingly unknown guy (it wasn't until later that they found out how huge he is in Korea). From there, things just kind of rolled in the right direction for Ninja Assassin. As Stahelski put it, 'We always kind of had a running joke with the Wachowski brothers about making a kickass ninja movie. We told them we found our ninja, and brought Rain in to do a fight sequence for him...and everyone was like 'Holy s***! This guy is good!' Only a few months later, production was in motion on that 'running joke,' Ninja Assassin.

Rain did his own stunts

All too often, producers will stick a handsome actor in an action movie, then leave all the heavy lifting to the stunt guys. We even kind of idolize the actors who do their own stunts, like Jackie Chan and Tom Cruise. With the insane amount of stuntwork in Ninja Assassin, it'd be easy to assume that most of that fighting and flipping and jumping out of windows was done by a trained stuntman while Rain sat back and waited for the next scene that showed his face. Only that's not the way it happened. Almost as a counterpoint to The Matrix, Ninja Assassin did it all for real—no green screen, no wires, no camera gimmicks. As Rain told Time, '90 percent of the time, it's really me, doing all of this.'

So how does a pop singer become a honed killer (at least in looks)? The answer: months of hardcore training. For eight months straight, Rain trained five days a week for eight hours a day to be able to pull off not only the fight scenes, but the ridiculous stunts, like flipping off moving cars. That goes way beyond dedication. Little League players are dedicated. This is more like Justin Bieber replacing Jason Statham in the next Transporter movie.

Raizo's chain weapon was invented just for the movie

Ninja Assassin features one of the coolest weapons ever seen in a martial arts film: that blade-and-chain thing Raizo uses to hack through mountains of ninjas. And although you can now buy it on Amazon, it wasn't even a thing before Ninja Assassin—the production team invented it just for Rain. While they were still storyboarding the fight scenes, the Wachowskis wanted something unique for the main character to use. He was already using swords and shurikens, but nothing that set him apart. So the creative guys put their heads together and decided to try out something flexible, because they liked the visual style of something whipping around the frame taking chunks out of people with each pass.

As Chad Stahelski explained the process, they started with a rubber knife on a rope, similar to a real ninja weapon called a kyoketsu-shoge. But since rope would just get sliced up by the other ninjas' swords, they replaced that with a chain. Stick a gut hook on the knife and a weighted ball on the other end of the chain, and presto—a custom-made ninja killer. Besides being badass, the unique weapon gave the story a little extra oomph. It gave Raizo something that set him apart visually from the other ninjas and made the scenes where he has to fight half a dozen ninjas at once more believable.

...And Rain learned how to really use it

Making a new weapon for Ninja Assassin wasn't enough. Rain also had to train how to use it if it was going to look good onscreen. Just like he put his body on the line for the physical stunts, Rain spent weeks learning how to swing the blade in all its lethal glory. It was a challenge for everyone involved; the weapon was entirely new, so even the choreographers were in virgin territory as they figured out new and increasingly epic ways to bring the chain weapon into the action sequences. Chad Stahelski summed it up by saying, 'As we went through the training, Rain kept getting better, so we had to keep re-choreographing. What we had designed originally, he outgrew by the time we were ready to shoot. The more Rain's abilities developed, the more our choreography had to evolve.'

The script was written in 53 hours

Ninja Assassin worked on many levels, but the most important was probably the script. Peel away all the fights and amazing effects, and you'll usually find that everything is riding on the back of a hardworking story. That's why most feature movie scripts take months to complete, but the script for Ninja Assassin was done in a record 53 hours. To pull off that insane feat, the Wachowskis brought in J. Michael Straczynski, the creator of Babylon 5 and screenwriter of blockbusters like Changeling and Thor. The script already had a first draft, but the Wachowskis wanted it completely rewritten because they weren't happy with the story.

After meeting with the Wachowskis, who were ready to start shooting in just six weeks, Straczynski 'went home and put on a pot of coffee, and...wrote essentially a whole new script in 53 hours. When a friend calls you and says they're in trouble, you do what you have to do.'

Sho Kosugi is a ninja legend

Younger moviegoers would be hard-pressed to recognize Ninja Assassin's brutal antagonist Ozunu in any other movies. Hell, older moviegoers probably would, too. But during the '80s in the salad days of the onscreen ninja, Sho Kosugi was one of the biggest martial arts actors to ever don a black hood. As the star of cult classics like Enter the Ninja, Revenge of the Ninja, and Ninja III: The Domination, it's safe to say that Sho Kosugi pretty much was the ninja of the '80s. His films are credited with jump-starting the ninja craze that dominated most of the decade, and Kosugi garnered a cult following that's still kicking among diehard fans today.

Director James McTeigue decided early that he wanted to cast Kosugi as the villain in Ninja Assassin as an homage to those old ninja films, and Kosugi was happy to come back to cinema for the small role (he'd become a martial arts teacher in Japan after retiring from acting). In fact, Kosugi said that he was honored to be offered the role after reading the script because his character's name, Ozunu, is a reference to a real-life ninja who was part of a clan of mountain warriors in Japan. The decision certainly worked. Ozunu is one of the most terrifying villains in recent years.

The orphans were random German kids

Some of the most intense scenes in the movie are the flashbacks involving young Raizo training with the other orphans under Master Ozunu. So how did McTeigue populate that mystical dojo? He just...found some random kids. Well, sort of. The movie was filmed in Berlin, so McTeigue went around to all the local martial arts schools and found a handful of kids who seemed like they knew what they were doing. It didn't matter that many of them were German—in the movie, Ozunu gets his orphans from all over the world, so having different nationalities didn't present a problem.

Once the kids were picked, they were given a little extra training and then the cameras started rolling. In his own Hollywood way, McTeigue grabbed up a bunch of children the same way Ozuni did in the film. Guess life really does imitate art.

The blood was styled like anime

Ninja Assassin has a lot of blood, there's no doubt about that. From the guy getting his head sliced in half at the beginning to the slice-and-dice choreography when the ninja clan finds Raizo in the Europol safehouse, Ninja Assassin's visceral brand of violence is a centerpiece of the film's action. You could almost say it's part of the movie's charm. And of course, it was all done on purpose.

Ninja Assassin Rain

McTeigue has mentioned in interviews that he watched a lot of anime to come up with the style he used in the film, and a lot of that was centered on the way the blood looked. While it's definitely gory, there's almost an art to the way the blood splashes across the screen when a ninja gets disemboweled. In particular, McTeigue looked at Ninja Scroll and Samurai Champloo to really hone the blood effects. Rather than going for realism, he wanted the blood to be so over-the-top, so stylized, that the audience could have fun watching dozens of people die horrible deaths—and more importantly, he just wanted it to be bloody. As he put it, 'what's a ninja movie without blood, right?' Amen to that.

Ninja Flame Vs Ninja Assassin Warrior

A real heartbreaker

Ninja Flame Vs Ninja Assassin Ninja

In the opening scene of Ninja Assassin, an old tattoo artist explains that he's seen the ninja assassins once before, and the only reason he's still alive is because his heart is on the wrong side of his chest; when the ninjas stabbed him in the heart, they missed. Later in the movie, that same gimmick comes up again. Only it's not entirely a gimmick, because that heart-on-the-wrong-side thing is totally real. It's called situs inversus, and it happens when a person's internal organs are flipped around to the opposite side of the body. It's pretty rare, so yeah, the chances of two people who are targeted by the same ninja clan having situs inversus is a stretch, but it's certainly not unheard of. Even some celebrities, like singer Enrique Iglesias, have situs inversus. So say what you want about Iglesias, but the guy's pretty much immune to ninjas.